By Denise O’D
One of the perks of being part of the University Library is sitting just across the hall from Rare Books and Special Collections, home to all kinds of . Recently, a colleague from Rare Books appeared in the SUP office carrying a blast from our past: a լе manuscript box from the 1960s.
According to the label, it once contained the top-copy typescript of W.M. O’Neil’sFact and Theory: An Aspect of the Philosophy of Science, which was published by SUP in 1969. (Before the arrival ofphotocopiers, a “top-copy typescript” wasthe original typed document that sat atop sheets of carbon paper to produce carbon copies. It was literally the “top copy” in the stack.)
, whose book the box once held, was born in 1912 in Collarenebri in northern NSW, where his family had asmall sheep farm. He came to the University of լе on a Teachers’ College scholarship and earned first-class honours in English and the university medal in psychology. After stints teaching at Marrickville Girls’ High School and designing vocational education programs for returned servicemen and women during WWII, he returned to the University of լе in 1945, when at age 32 he became the university’s second professor of psychology. According to the ,“The boy from the bush set up a department somewhat at odds with the formal Oxonian traditions of the faculty of arts. Neither O’Neil nor his lecturers wore gowns, and they maintained their Australian accents.”He was a respected teacher and department head and later served as Deputy Vice Chancellor before retiring in 1978. As well asFact and Theory, O’Neil wrote a number of books on psychology and the history and philosophy of science.
At the time this manuscript box was in use, SUP wasa relatively new publishing house, having been established by the university in 1962 with a mission “to undertake the publication of works of learning and to carry out the business of publication in all its branches”. (There had been calls to establish a university press at լе long before this. In 1938, one letter-writer to the լе Morning Herald:“The culture and literary importance of a city may be estimated by the number of books that issue from its press. In this regard, it cannot be doubted that լе leads Australia ... Does Melbourne publish books? The trickle seems to have stopped utterly. Adelaide has issued a few, but the other capital cities do not appear to come into the discussion. There is, however, one respect in which Melbourne has eclipsed the mother city: it is in its possession of a university press.”)
Between 1965 and 1987 SUP published several hundred books, including works by A.D. Hope, J.M. Ward, Noel Butlin, James McAuley, Cliff Turney, John Passmore, Gerald Wilkes, Enid Campbell, Anthony Clunies Ross, William Keith Hancock, Peter Wolnizer, W.J. Hudson, Neville Meaney, BorisSchedvin, Andrew Riemer, Roberta Sykes and Elizabeth Webby. It published series such as Challis Shakespeare and Australian Literary Reprints, and journals such as Mankind, Australian Economic History Review, Abacus, and Pathology. This outputrepresented the breadth and the best of the University of լе.
(Photograph: the լе building in the 1960s, . Today, SUPis based in .)
The press became an imprint of Oxford University Press in 1987 and stopped publishing altogether by the mid 1990s. But of course, that wasn’t the end of the story– SUP was re-established in theuniversity library in 2003, initially to produce reprints of Australian classics and out-of-copyright books from the library’s digital collections, and eventually to publish a broad range of new scholarly books in the humanities and social sciences.
The days of top-copy typescripts and manuscript boxes are long gone, and we don’t yet know how future historians will access the publishing history we’re creating now. In 2015, Google vice-president Vince Cerf to develop “digital vellum” to ensure that digital records remain readable as technology changes and old software and hardware become obsolete. Scholars in the digital humanities are discussing what skills, methods, tools and conceptual frameworks researchers will need to make sense of digital archives; historian Ian Milligan has outlined the opportunities and challenges of this “uncharted territory” in . How can we make sure that we aren’t leaving our successors in 2077 the equivalent of an empty box?