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The eastern frontier of the Roman Empire – its network of roads, trade routes, towns and forts – is often conceived of as an “edge” of both empire and civilisation, but this “borderland” is also part of a rich cultural landscape. Our awareness and appreciation of these cultures has increased dramatically over the course of the last century. Scholarship has deepened, methods have advanced, and perspectives have shifted.

Across 20 chapters, Reframing the “Desert Frontier” offers new insights into the rich cultural history of this region through the re-examination of existing material – such as archives, historical accounts, and previous surveys – and through the use of novel archaeological approaches. The bringing together of different methodological approaches to the archaeology of the region in a single volume highlights synergies and offers important comparisons for archaeologists to consider.

This volume highlights the work of Emeritus Professor David Kennedy, whose contribution to the study of the Roman army, the archaeology of Jordan, and aerial archaeology has inspired and enhanced multiple projects that have reframed this so-called “desert frontier”.

Reframing the “Desert Frontier” encapsulates the enriched view of this ancient region generated by new techniques of survey and analysis, changed perspectives on older materials, a more intense engagement with the rural landscapes surrounding ancient towns, and the addition of new discoveries that alter previous consensus.

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Benefiting from recently catalogued archival materials, The Flip Side: Old China Hands and the American Popular Imagination, 1935–1985 evaluates the influence of an ensemble of well-known Americans born or bred in China – Pearl S. Buck, Henry R. Luce, Owen Lattimore and John Hersey – after their return to the United States of America.

The children of missionaries and others serving China, all contributed in significant ways to the globalisation of the American ideal in the 20th century, even as each sought in different roles – as publishers, as novelists, as scholars – to centre Chinese values and concerns in the anglophone public sphere. As Chinese ideas and values met the projection of American soft power and governmentality, a uniquely bilateral, global imaginary arose, wherein respect for China as an emerging force encountered Western reaction. For these “old China hands”, the return to the USA resulted in unique and differing sociocultural formations: Buck’s intersectional literary populism on behalf of “the Chinese people”; Henry R. Luce’s press internationalism; Lattimore’s “inner Asian” regional imaginaries; and Hersey’s China trilogy allegories. All were keen observers of and participants in international networks combining a diversity of China-based expertise and resources that continued to inform their everyday work at a great distance. Both public and private, these networks, onshore and off, enabled and energised their own advocacy that dared to imagine a Chinese future distinct from its colonial or semi-feudal past.

The Flip Side asserts that these American stakeholders occupied a transitional but crucial role in the rise of China in Western imagination, prior to China’s assertion of sovereignty over its own global role and message.

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After Alexander: The Hellenistic and Early Roman Periods at Pella in Jordan details the excavation of Hellenistic and Early Roman period horizons carried out at Pella in Jordan by the University of լ�е��� since 1979. It deals with both the stratigraphy of the Hellenistic and Early Roman levels at Pella, and catalogues the pottery recovered from them. Short summaries of relevant work by the College of Wooster are also included.

After a brief introduction to the site and history of excavations, a detailed description of the Hellenistic and Early Roman levels on the main mound of Khirbet Fahl, on nearby Tell Husn, and in select hinterland locations, then follows.

The heart of the study centres on a detailed catalogue of the corpus of some 900 individual Hellenistic-Early Roman pottery fragments, accompanied by outline drawings for each fragment, and a smaller number of images of the more important pieces.

Discussion of the relevance and importance of the material remains to the history and archaeology of the Hellenistic and Early Roman periods at Pella and more broadly to Jordan and the southern Levant concludes the study.

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“For the first time, fish became our companions and a corner of many a Victorian parlour was given over to housing tiny fragments of their world enclosed in glass.”

The experience of seeing a fish swimming in a glass tank is one we take for granted now but in Victorian England this was a remarkable sight. People had simply not been able to see fish as they now could with the invention of the aquarium and everything that went with it.

Goldfish in the Parlour looks at the boom in the building of public aquariums, as well as the craze for home aquariums and visiting the seaside, during the reign of Queen Victoria. Furthermore, this book considers how people see and meet animals and, importantly, in what institutions and in what contexts these encounters happen.

John Simons uncovers the sweeping consequences of the Victorian obsession with marine animals by looking at naturalist Frank Buckland’s Museum of Economic Fish Culture and the role of fish in the Victorian economy, the development of angling as a sport divided along class lines, the seeding of Empire with British fish and comparisons with aquarium building in Europe, USA and Australia.

Goldfish in the Parlour interrogates the craze that took over Victorian England when aquariums “introduced” fish to parks, zoos and parlours.

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This revised edition of Dr Neville A. Ritchie’s 1986 PhD dissertation explores the history and archaeology of the 19th century Chinese mining communities in the Clutha Valley, New Zealand. Lavishly illustrated with black-and-white line drawings of Chinese domestic and industrial sites, and of the artefacts excavated from them, this study offers unprecedented insight into the life and material culture of these male-only “sojourner” communities.

Widely considered the most comprehensive archaeological study of overseas Chinese miners’ experience anywhere in the world, this volume contains the total summation and analysis of artefacts found in 23 Chinese sites excavated over nine years, which included two camps (with 40 individual huts and other features), a Chinese store and 20 rural sites, including miner’s huts and rock shelters.

Considered by the Australian Society for Historical Archaeology to be a seminal work in the field of historical archaeology, this 2023 edition introduces Dr. Ritchie’s groundbreaking work to the next generation of archaeologists.

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Price: 35.00

“For the first time, fish became our companions and a corner of many a Victorian parlour was given over to housing tiny fragments of their world enclosed in glass.”

The experience of seeing a fish swimming in a glass tank is one we take for granted now but in Victorian England this was a remarkable sight. People had simply not been able to see fish as they now could with the invention of the aquarium and everything that went with it.

Goldfish in the Parlour looks at the boom in the building of public aquariums, as well as the craze for home aquariums and visiting the seaside, during the reign of Queen Victoria. Furthermore, this book considers how people see and meet animals and, importantly, in what institutions and in what contexts these encounters happen.

John Simons uncovers the sweeping consequences of the Victorian obsession with marine animals by looking at naturalist Frank Buckland’s Museum of Economic Fish Culture and the role of fish in the Victorian economy, the development of angling as a sport divided along class lines, the seeding of Empire with British fish and comparisons with aquarium building in Europe, USA and Australia.

Goldfish in the Parlour interrogates the craze that took over Victorian England when aquariums “introduced” fish to parks, zoos and parlours.

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Type: Paperback
Price: 120.00

Tiwi Textiles: Design, Making, Process tells the story of the innovative Tiwi Design centre on Bathurst Island in northern Australia, dedicated to the production of hand-printed fabrics featuring Indigenous designs, from the 1970s to today. Written by early art coordinator Diana Wood Conroy with oral testimony from senior Tiwi artist Bede Tungutalum, who established Tiwi Design in 1969 with fellow designer Giovanni Tipungwuti, the book traces the beginnings of the centre, and its subsequent place in the Tiwi community and Australian Indigenous culture more broadly.

Bringing together many voices and images, especially those of little-known older artists of Paru and Wurrumiyanga (formerly Nguiu) on the Tiwi Islands and from the Indigenous literature, Tiwi Textiles features profiles of Tiwi artists, accounts of the development of new design processes, insights into Tiwi culture and language, and personal reflections on the significance of Tiwi Design, which is still proudly operating today.

'Tiwi Textiles is a unique historical document, a formidable vindication of the accomplishments of great Indigenous artists, and an account of a missing chapter in world art history. The book is a wonderful chronicle of a vital and fertile period for Tiwi practice in the emergence of contemporary Indigenous art. But it is also a charter for the future.'
— Nicholas Thomas FBA FAHA Director, Museum of Archaeology and Anthropology, University of Cambridge

'Wood Conroy not only writes, intricately and sensitively, a vital history of Tiwi art: she also firms up the place of fibre and textiles practices in Indigenous art and leaves space for us to consider how art history can shift to become more responsive to the lived realities of Indigenous peoples and our non-Indigenous accomplices.' — Tristen Harwood, The Saturday Paper

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Aboriginal people of New South Wales carved trees as a form of visual communication for thousands of years. These elaborate designs carved into the sapwood and heartwood of trees once a section of external bark was removed - were meant to last. Sadly, after European colonisation, the practice was abandoned and the original meanings lost.

First published in 1918, this 2011 facsimile edition has a new cover, half-title page and reduced size map. Published by լ�е��� in conjunction with the State Library of NSW.

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Vendor: լ�е���
Type: Paperback
Price: 40.00

Made in Chinatown delves into a little-known aspect of Australia’s past: its hundreds of Chinese furniture factories. These businesses thrived in the post-goldrush era, becoming an important economic activity for Chinese immigrants and their descendants and a vital part of Australia’s furniture industry. Yet, owing to an exclusionary vision for Australia as a bastion of ‘white’ industry and labour, these factories were targeted by anti-Chinese political campaigns and legislative restrictions. Guided by Chinese manufacturers’ and workers’ own reflections and records, this book examines how these factories operated under the exclusionary vision of White Australia.

Historian Peter Gibson uses previously untapped archival sources to investigate the local and international factors that boosted the industry, and the business and labour practices associated with factory operation. He explores the strategies employed in efforts to resist injustice, and the place of Chinese furniture factories within the contexts of Australian enterprise, work and consumerism more broadly. Made in Chinatown argues that Chinese Australian furniture manufacturers and their employees were far more adaptable, and the White Australia vision less pervasive, than most histories would suggest.

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South Flows the Pearl is a fascinating journey through the history of Chinese Australia. Taking the reader from Shanghai and the Pearl River Delta to լ�е���, Perth, Cairns, Darwin, Bendigo and beyond, it explores the struggles and successes of Chinese people in Australia since the 1850s, as told in their own words.

This unique book was written by an insider. Mavis Yen was born in Perth in 1916, the daughter of a Chinese father and an Australian mother. She lived in both countries and understood what it meant to navigate two worlds, to live through war and revolution, and to experience racial discrimination. In the 1980s she began interviewing elderly Chinese Australians, recording hours of conversations. Her intimate understanding of their languages and life experiences encouraged them to share their stories. Published here for the first time, they will change how you think about Australian history.

“This is a book that offers a new way to be Australian in this country, and casts Chinese Australians as the protagonists in their own stories… When people agree to tell their stories, they speak to the future. Whether or not we listen is up to us.” — Dr Sophie Loy-Wilson, University of լ�е���

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The World Heritage-listed Port Arthur penitentiary is one of Australia’s most visited historical sites, attracting over 400,000 visitors each year. Designed to incarcerate 480 men, between 1856 and 1877 thousands of convicts passed through it.

In 2013, archaeologists began one of the largest ever excavations of an Australian convict site. Recovering Convict Lives: A Historical Archaeology of the Port Arthur Penitentiary makes their findings available to general readers for the first time. Extensively illustrated, it is a fascinating journey into the inner workings of the penal system and the day-to-day lives of Port Arthur convicts.

Through the things they left behind – the sandstone base of a prison wall, a clay pipe discarded in a washroom, gambling tokens dropped between floorboards – this book tells their stories.

Praise for Recovering Convict Lives

'In this richly illustrated volume readers will be taken on an archaeological tour of a lost world of work, leisure and punishment. A forensic reconstruction of one of Australia’s most iconic buildings, Recovering Convict Lives peels away the layers of time to reveal the hidden history of everyday life in a penal station.'

- Professor Hamish Maxwell-Stewart, author of Closing Hell’s Gates

'Recovering Convict Lives is the kind of substantial and significant publication that does justice to one of Australia’s most iconic heritage sites. The authors skillfully combine complex evidence from diverse sources in order to produce a nuanced and detailed account of the experiences of those who lived at the penitentiary. The discussion ranges seamlessly between fine-grained glimpses of individual lives and the global systems and processes that structured local action. Flowing, readable text and abundant illustrations are partnered with ready access to technical archaeological reports provided in an online repository, an elegant solution that allows readers to choose the amount of detail they want. The authors powerfully demonstrate the value of an integrated, multidisciplinary approach and showcase the strengths of historical archaeology as a discipline at the intersection of documentary and non-documentary evidence. Recovering Convict Lives presents some of the "unwritten histories" of Port Arthur - stories of places, spaces and lives that have been not previously seen. This impressive book provides a compelling argument for the need to tell and understand convict stories in order to understand the genesis of modern systems of incarceration.'

- Professor Susan Lawrence, author of Sludge: Disaster on Victoria’s Goldfields

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Price: 29.95

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Price: 49.95

Longlisted for the 2021 NSW Premier’s History Awards for Australian History

“The patterns and designs were laid down on the country and in the minds of Yolŋu by the ancestral beings at the time of creation. They have been passed on through the generations from our great grandparents, to our grandparents, to our parents, to us. They are the reality of this country. They tell us all who we are.” — Djambawa Marawili AM

Djalkiri are “footprints" – ancestral imprints on the landscape that provide the Yolŋu people of eastern Arnhem Land with their philosophical foundations.

This book describes how Yolŋu artists and communities keep these foundations strong, and how they have worked with museums to develop a collaborative, community-led approach to the collection and display of their artwork. It includes contributions from Yolŋu elders and artists as well as Indigenous and non-Indigenous historians and curators. Together they explore how the relationship between communities and museums has changed over time.

From the early 20th century, anthropologists and other collectors acquired artworks and objects and took photographs in Arnhem Land that became part of collections at the University of լ�е���. Later generations of Yolŋu have sought out these materials and, with museum curators, proposed a new type of relationship, based on a deeper respect for Yolŋu intellectual frameworks and a commitment to their central role in curation. This book tells some of their stories.

Featuring over 300 colour images, Djalkiri is published in conjunction with a largescale exhibition of Yolŋu art and culture at the University of լ�е���’s new Chau Chak Wing Museum, opening in November 2020. Spanning almost 100 years of our shared history, these collections can expand our understanding of the past and help us to shape the future.

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The Orontes Valley in western Syria is a land ‘in between’, positioned between the small trading centres of the coast and the huge urban agglomerations of the Euphrates Valley and the Syro-Mesopotamian plains beyond. As such, it provides a critical missing link in our understanding of the archaeology of this region in the early urban age.

A Land in Between documents the material culture and socio-political relationships of the Orontes Valley and its neighbours from the fourth through to the second millennium BCE. The authors demonstrate that the valley was an important conduit for the exchange of knowledge and goods that fuelled the first urban age in western Syria. This lays the foundation for a comparative perspective, providing a clearer understanding of key differences between the Orontes region and its neighbours, and insights into how patterns of material and political association changed over time.

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Memory and Foresight in the Celtic World delves deep into the experience of Celtic communities and individuals in the late medieval period through to the modern age. Its thirteen essays range widely, from Scottish soldiers in France in the fifteenth century to Gaelic-speaking communities in rural New South Wales in the twentieth, and expatriate Irish dancers in the twenty-first. Connecting them are the recurring themes of memory and foresight: how have Celtic communities maintained connections to the past while keeping an eye on the future?

Chapters explore language loss and preservation in Celtic countries and among Celtic migrant communities, and the influence of Celtic culture on writers such as Dylan Thomas and James Joyce. In Australia, how have Irish, Welsh and Scottish migrants engaged with the politics and culture of their home countries, and how has the idea of a Celtic identity changed over time?

Drawing on anthropology, architecture, history, linguistics, literature and philosophy, Memory and Foresight in the Celtic World offers diverse, thought-provoking insights into Celtic culture and identity.

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Winner of the Frank Broeze Memorial Maritime History Book Prize 2021

‘This book will be equally as valuable for historians of anthropology and colonialism; scholars working in Melanesia; and the Islander descendants of Haddon's interlocutors' - Journal of the Royal Anthropological Institute

Recording Kastom brings readers into the heart of colonial Torres Strait and New Guinea through the personal journals of Cambridge zoologist and anthropologist Alfred Haddon, who visited the region in 1888 and 1898.

Haddon's published reports of these trips were hugely influential on the nascent discipline of anthropology, but his private journals and sketches have never been published in full. The journals record in vivid detail Haddon's observations and relationships. They highlight his preoccupation with documentation, and the central role played by the Islanders who worked with him to record kastom. This collaboration resulted in an enormous body of materials that remain of vital interest to Torres Strait Islanders and the communities where he worked. Haddon's Journals provide unique and intimate insights into the colonial history of the region will be an important resource for scholars in history, anthropology, linguistics and musicology.

This comprehensively annotated edition assembles a rich array of photographs, drawings, artefacts, film and sound recordings. An introductory essay provides historical and cultural context. The preface and epilogue provide Islander perspectives on the historical context of Haddon’s work and its significance for the future.

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In the 18th and 19th centuries, relations between China and the West were defined by the Qing dynasty’s strict restrictions on foreign access and by the West’s imperial ambitions. Cultural, political and economic interactions were often fraught, with suspicion and misunderstanding on both sides. Yet trade flourished and there were instances of cultural exchange and friendship, running counter to the official narrative.

Tribute and Trade: China and Global Modernity explores encounters between China and the West during this period and beyond, into the early 20th century, through examples drawn from art, literature, science, politics, music, cooking, clothing and more. How did China and the West see each other, how did they influence each other, and what were the lasting legacies of this contact?

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Prophecy, Fate and Memory in the Early and Medieval Celtic World brings together a collection of studies that closely explore aspects of culture and history of Celtic-speaking nations. Non-narrative sources and cross-disciplinary approaches shed new light on traditional questions concerning commemoration, sources of political authority, and the nature of religious identity. Leading scholars and early-career researchers bring to bear hermeneutics from studies of religion and literary criticism alongside more traditional philological and historical methodologies.

All the studies in this book bring to their particular tasks an acknowledgement of the importance of religion in the worldview of antiquity and the Middle Ages. Their approaches reflect a critical turn in Celtic studies that has proved immensely productive across the last two decades.

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War has shaped Australian society profoundly. When we commemorate the sacrifices of the Anzacs, we rightly celebrate their bravery, but we do not always acknowledge the complex aftermath of combat.

In The Cost of War, Stephen Garton traces the experiences of Australia’s veterans, and asks what we can learn from their stories. He considers the long-term effects of war on returned servicemen and women, on their families and communities, and on Australian public life. He describes attempts to respond to the physical and psychological wounds of combat, from the first victims of shellshock during WWI to more recent understandings of post-traumatic stress disorder. And he examines the political and social repercussions of war, including debates over how we should commemorate conflict and how society should respond to the needs of veterans.

When the first edition of The Cost of War appeared in 1996, it offered a ground-breaking new perspective on the Anzac experience. In this new edition, Garton again makes a compelling case for a more nuanced understanding of the individual and collective costs of war.

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The natural resources of New Guinea and nearby islands have attracted outsiders for at least 5000 years: spices, aromatic woods and barks, resins, plumes, sea slugs, shells and pearls all brought traders from distant markets. Among the most sought-after was the bird of paradise. Their magnificent plumes bedecked the hats of fashion-conscious women in Europe and America, provided regalia for the Kings of Nepal, and decorated the headdresses of Janissaries of the Ottoman Empire.

Plumes from Paradise tells the story of this interaction, and of the economic, political, social and cultural consequence for the island’s inhabitants. It traces 400 years of economic and political history, culminating in the ‘plume boom’ of the early part of the 20th century, when an unprecedented number of outsiders flocked to the island’s coasts and hinterlands.

The story teems with the variety of people involved: New Guineans, Indonesians, Chinese, Europeans, hunters, traders, natural historians and their collectors, officials, missionaries, planters, miners, adventurers of every kind. In the wings were the conservationists, whose efforts brought the slaughter of the plume boom to an end and ushered in an era of comparative isolation for the island that lasted until World War II.

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From its beginnings in 1850, the University of լ�е��� was created as an institution to suit the needs of New South Wales, not simply to reflect England's ancient universities. A founding principle was that academic merit alone regardless of religious beliefs or social upbringing would be the test for admission.

լ�е���: the Making of a Public University explores the principle of public engagement and how it came into practice and was shaped by succeeding generations. From staff, students and curriculum, to sports, philanthropy, faiths and research, Julia Horne and Geoffrey Sherington probe the meaning of the first hundred and sixty years of լ�е��� University, one of the first public universities in the world.

Richly illustrated, լ�е���: the Making of a Public University tells the story of the University of լ�е��� and its distinctively Australian character.

This is the hard cover with dust jacket edition.

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Type: Paperback
Price: 50.00

Queen Elizabeth’s visit showed a strong remaining affection for the crown, despite the nation’s shift of its power alliances to the USA. In the USA, McCarthyism crashed with the discrediting of its leading figure; in Argentina, the autocratic populist movement of Peron came to an end; West Germany continued its spectacular economic growth; and Yugoslavia made a bid for neutrality, weakening the Soviet Union’s grip on the Balkan states.

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Letters to Australia is a collection of Julius Stone’s radio talks, originally broadcast by the Australian Broadcasting Commission between 1942 and 1972. Recently discovered in the nation’s archives, they take the reader back to the mid-20th century, bringing to life the people, events and the sweep of affairs during World War II and its turbulent aftermath, the hopes and fears of individuals and nations. They tell much of Australia’s role in that world and that era. More than anyone else at that time, Julius Stone gave Australians a sense that they were part of the world and could, and should, seek to influence these events. Volume 4 contains 131 essays from 1952 and 1953.

These years, like the two preceding, saw incremental change. The Korean War ended, but only after long negotiations over the fate and rights of prisoners of war; the debates over the development of unified economic and political structures in Europe grew; and, with Stalin’s death and Beria’s fall, the Soviet Union began its slow evolution towards glasnost and perestroika and eventual dissolution, decades later. In the Pacific, Australia entered a multi-lateral, ANZUS, excluded the United Kingdom, consolidating the nation’s independence of Britain; Communist China pressed its claims to replace Taiwan on the Security Council; Queen Elizabeth II began her long reign; and adventurism by Egypt set the stage for the Suez crisis of 1956. In Asia, conflict in Vietnam grew, even as war ended in Korea. In Europe, West Germany grew in economic strength, its position between east and west still ambivalent; while the Soviet grip on eastern Europe grew in strength, intensifying their autocracies. The east-west balance of the great powers, and seemingly endless talks on nuclear disarmament, continued; but even in that atmosphere of stalemate, the emergence of NATO and of the Warsaw Pact as military alliances created some change – the growth of a sense that a balance of power between East and West could be sustained, could be lived with. Julius Stone had much to discuss.